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      <image:title>Herstory</image:title>
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      <image:title>Herstory</image:title>
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      <image:title>Herstory - Uprooted.</image:title>
      <image:caption>As a third-generation Japanese American, I was a child uprooted by our forced removal during World War II. I heard songs I loved on the radio. Songs filled my loneliness, gave me joy, made me want to dance. I didn’t realize I was missing my own song.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb446787c25b55613c51e15/1592415717554-I2UYC232G93EFJ32DKO2/2.+JoJo.jpeg</image:loc>
      <image:title>Herstory - When my family was released from camp, I was called JoAnne rather than Nobuko, my real first name.</image:title>
      <image:caption>I was exposed to classical music and studied ballet. I thought the Japanese music my uncle chanted was weird. I was lucky to have a black music teacher at my grammar school, Mrs. Jackson, who believed children could sing Bach chorales. And so we did! I was also blessed with a scholarship at American School of Dance, which led to a career in films and on Broadway. At eighteen I was in the Rodgers and Hammerstein musical Flower Drum Song, singing directly to the audience, “Chop suey, chop suey . . . ” I didn’t know why I was feeling uncomfortable. There was something in the way those delighted folks looked at us. In a flash I realized, WE were “chop suey”—Chinese food for white people!</image:caption>
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      <image:title>Herstory</image:title>
      <image:caption>That started me questioning: how come I’ve never seen a show that told my story? Why do I have to play these silly “Oriental” roles?</image:caption>
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      <image:title>Herstory - Pictured: Nobuko marching at the Republic of New Africa demonstration</image:title>
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      <image:title>Herstory - “Chris and I sang, feeling a force beyond our own. It was the song we never had, the song we’d been waiting for. We were just there to deliver it.”</image:title>
      <image:caption>-Nobuko</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb446787c25b55613c51e15/1592480658708-ADLRMBLFY6DP6K5I88OD/6c.jpeg</image:loc>
      <image:title>Herstory - Having our own song changed my life. It transformed how I saw art and what it could do in the world. It started me on my life’s path as a community “artivist.”</image:title>
      <image:caption>-Nobuko</image:caption>
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      <image:title>Herstory</image:title>
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      <image:title>Herstory</image:title>
      <image:caption>In 1973, I returned to Los Angeles, where Reverend Masao Kodani of Senshin Buddhist Temple gave me a place to teach dance, rehearse and create. It gave me a community to raise my Afro-Asian child as a single mother. In 1978 I founded Great Leap, an arts organization still active today. Through collaborations with a multitude of Asian Americans and artists of color we have produced concerts, musicals, music videos, obon songs, and projects like FandangObon that engage communities to cross cultural borders.</image:caption>
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      <image:title>Herstory</image:title>
      <image:caption>Above: FandangObon Festival: Art, Culture, Earth Left: Nobuko Miyamoto, PJ Hirabayashi, and Yoko Fujimoto</image:caption>
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      <image:title>Herstory</image:title>
      <image:caption>It has been a long journey, but I’m not rocking chair ready. I am an elder, a grandmother, a cultural activist, and still a song maker. One of my latest projects is a Smithsonian Folkways album, 120,000 STORIES. That’s a lot of stories, but not nearly enough. It is the number of Japanese Americans who were in concentration camps during World War II. But it also symbolizes the stories untold, the songs unheard, ignored, missing from our cultural stratosphere.   I sing for those like myself, who grew up without their own song. I sing for those different than myself, to share my story.  Above: Smithsonian Folkways Festival Left: B.Y.O.Chopstix music video promo</image:caption>
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